Irving Penn’s Iconic Fashion Work
Irving Penn, best known for his outstanding work with Vogue, knew how to create iconic images. Penn’s images have a distinct look to them, this look branches between his fashion as well as his still life work. Within his fashion work Penn was able to direct his subjects into striking poses. Often remembered for their sharp and static features. This posing combined with his use of playful compositions added to his appeal and significance. Penn often used depth of these compositions to his benefit. Such as his photographs of Salvador Dali and the wine bottle illusion making the depth of the scene a main point of each image. Within his wine bottle shot he makes the depth of the image and optical illusion the appeal to the overall image; thus creating something new out of something ordinary. Within Dali’s portrait Penn uses the depth of the shot to create interesting leading lines that juxtapose with Dali’s stark pose. These crossing lines and the tension it creates lends itself to Dali’s own work, showing Penn’s ability to tailor his portraits to the subject.
These various techniques Penn applies to his work are one of main reasons his images stay in my mind. With my photographic focus being still life, Penn’s still life imagery holds a place within my favorite influencers. However Penn’s ability to keep his significant style between various subjects is what keeps his images current and iconic. Penn’s eye for detail carries throughout his images no matter the subject. He always seems to add just the right amount of texture to add an extra element within the image that really pulls it to the forefront of my mind. These distinct aspects of Penn’s work influenced fashion in a way that was new and fresh. He was able to see there was more needed to create iconic images that pretty clothing and models. He used his artistic eye to create images that showcased the garments in newer ways that resonated with many. Including a memorable collaboration with Issey Miyake. From Vogue’s more recent article on the collaboration, Miyake was asked which of Penn’s images she liked most. She responded with, “‘It would be like asking me which child I love best’”. Showcasing just one strong bond Penn was able to make with a prominent designer, of which there were many more.
